Friday, 31 December 2010
Sunday, 26 September 2010
L1F£
A million and one things have happened since I last bothered to post on here. Amongst a whole load of other shit, I've started at University of the Arts London (foundation diploma art & design) at Camberwell and I'm enjoying it a lot so far. I've pretty much decided I want to specialise in Photograph come November and I've also decided I want to do Art History at university!
I've also set-up a new blog which I want to use to showcase some of my creative work, writing and photography as well as incessant ramblings about achingly cool people. I'm still going to write on here from time to time but I want to use this as a visual diary more than anything.
SOLARIUM STIX
Wednesday, 18 August 2010
/\/\/\Y/\ XXXO /\/\/\Y/\
TREATZZXX
(photos from www.infinitybells.com)
Tuesday, 17 August 2010
Monday, 16 August 2010
YEASAYER - MADDER RED
I've just watched this and after recuperating from the rather poignant 'WTF' after-taste, I've concluded that the new Yeasayer video starring Kristen Bell is absurdly weird but fucking brilliant. Its directed by Andreas Nillsson who is based in Malmoe, Sweden and is also a practising artist. She is renowned for her finely crafted skill in all things sublimely strange and boasts a huge portfolio of clients from Moby to MGMT. I think you've achieved something as a director when you're consistently able to leave a recognisable residue on every piece of work without becoming repetitive and bland. The video is a must see and once you've digested the randomness of the truly hideous creature and the hilarity of Kristen Bell starring in it, your heart warms and you quietly mourn the death of this hairy ball of flesh.
CHARLES ANASTASE
I've read a lot of blogs, comments, articles about his past few collections and I feel as though as his LFW shows as a product/reflection of his creativity don't serve the purpose of his vision. He is always a surprise and maybe that is not always a good thing. Although you cannot undermine his flair, his SS10 collection was a big of mixed balls yet photos from his AW10 transcend a strong sense of growth. Besides the obvious differences like more composed attention to production (scarily painted models to warn us of the dangers of climate change clad in heavily felted wools), the thesis of the collection; "Winter Garden" is visually prevalent and consistent through every look.
I actually like this look the most - probably because I like the soft Ice blue juxtaposed with blood red - garnished with lashings of black for an edgy and ethereal feel. Anastase is probably one of the remaining few who know how to mix hard and light with thought and focus. For me, the elongated proportion of the fitted blue dress reflects the planet in its most simple, basic, organic and purest form; oxygen and the blood-red stockings embody the legs of man and the dark stained shoes encapsulate the demise of our planet. I don't think it is hard to diffuse Anastase's message and it is comforting to know that there is a philosophy to fashion beyond naif appliques and blanketlike coats.
GELITIN
On my cultural hike through London this week with Isabel Legate (The Animal Talk), I managed to stimulate my creative pores which have been in dire need of exfoliation lately. We did an art hike and visited Hayward Gallery at the Southbank Centre and The Saatchi Gallery - places I've really neglected this year.
Although a lot of work stood out and many pieces/artists have been penciled down and researched, there was one piece of work which inspired me to go home and raid my sister's Beanie Baby collection and really start experimenting again. I didn't photograph the actual piece in question (but its at Hayward if you're interested) and I've since realised that I'm familiar with other works by the artist who are the Vienna based art collective 'Gelitin'. They're famed for their 'Hase' project (2005) in which they placed a gigantic stuffed pink rabbit on a hill overlooking a small village in Italy and it will be on display until 2025. I think that's enough time for a quick fixed-geer bike ride to Piemonte.
(description by the artists)
"The things one finds wandering in a landscape: familiar things and utterly unknown, like a flower one has never seen before, or, as Columbus discovered, an inexplicable continent; and then, behind a hill, as if knitted by giant grandmothers, lies this vast rabbit, to make you feel as small as a daisy."
"The toilet-paper-pink creature lies on its back: a rabbit-mountain like Gulliver in Lilliput. Happy you feel as you climb up along its ears, almost falling into its cavernous mouth, to the belly-summit and look out over the pink woolen landscape of the rabbitĂ s body, a country dropped from the sky; ears and limbs sneaking into the distance; from its side flowing heart, liver and intestines."
"Happily in love you step down the decaying corpse, through the wound, now small like a maggot, over woolen kidney and bowel. Happy you leave like the larva that gets its wings from an innocent carcass at the roadside. Such is the happiness which made this rabbit."
I think its obvious that Gelitin create situations which encourage people to interact with one another, humorously abandoning 'the intellectual art pout' as they share anecdotes about their favourite stuffed toy as a child. They exercise every use of medium to childlike excess like the performance and installation 'Sweatwat' (2005) which converted Gagosian Gallery in London into a private water park and sauna, with furniture stacked up on the flooded floor which aimed to liberate the inner child and allow the joy and relaxation of everybody through Yoga, dancing, drinking, singing - simple or sophisticated pleasures. It seems a playful, eccentric and ravishing approach to design that scorns the burden of intellect and rattles the imagination and I really wish I could have experienced it!
"I love the rabbit the rabbit loves me."
They've exhibited pretty much everywhere around the big ole globe since 1993 and boast a wealth of work. The group itself is comprised of four artists who first met in 1978 and they've been playing and working and growing together ever since.
http://www.gelitin.net/mambo/
Wednesday, 11 August 2010
Adrien Sauvage
Richie Culver (Artist)
Black and White Photographs by Adrien Sauvage
Bill Nighy (Actor)
Black and White Photographs by Adrien Sauvage
Mark Ronson & The Business Intl
Black and White Photographs by Adrien Sauvage
Alex Turner (Arctic Monkeys) Miles Kane (Last Shadow Puppets)
Black and White Photographs by Adrien Sauvage
Coco Sumner, I Blame Coco
Black and White Photographs by Adrien Sauvage
http://www.thisisnotasuit.com/
Tuesday, 10 August 2010
PALLADIUM X NEIL BARRETT
With a whole host of cross collaborations engulfing feet fashion recently, It seems that many product partnerships have become a little laboured yet the Palladium Boot's minimalism and obvious functionality creates a direct and cohesive vision that reflects Neil Barrett without any confusion.
The shoe itself is simple, hardwearing and rather nifty - especially being able to tuck them down on the sides making it easy to tuck your jeans in or pull your jeans over the boot. There is no overbearing signature design - nothing that goes 'POP' which allow the details (neutral colours, tonal-embossed branding, high-quality leathers) to really stand out.
This would quickly become an ageless staple if found in my wardrobe and is a prime example of a textbook collaboration that celebrates both participants' aesthetics without losing sight of its sole purpose.
(photo by GQ - The nubuck leather shoe runs for $275, and you can find it at palladiumboots.com) Also Available at Bloomingdale's in New York, Kitson in L.A., and Browns in London
ELLEN ROGERS
Ellen Rogers hails from North Norfolk, although it is London where she's been spending most of her days in the darkroom. She uses dark imagery and historical references to create a portfolio of soft and beautiful images which use dark and quiet scenes with emotive subtlety and the inspiration from her collection of vintage cameras and comics is rather obvious. Rogers is also a budding filmmaker, using Super 8 and focusing on a wider angle approach to her subjects using a variation of textures and experiments to find the perfect results. She also studies various Druidic and Runic teachings and is fascinated by religion, the occult, mystique, tradition, scripture, unsolved mysteries, and ancient history which all transcend within her work.
Sunday, 8 August 2010
I need this in my life
Tuesday, 3 August 2010
The Chung
Alexa Chung
L'Officiel August 2010